The whole 3,5mm headset connection was a decision to keep the costs low for new users wanting to have talkback but do not want to spend tons of money into headsets. This is Industry standard for broadcasting. Kevin McGrath wrote:The new cameras use 4 pin xlr If you have any advice about a more or less standard headsets that work fine with these units, please let me know
Same goes to the mic, I can't find a professional headset that feeds the mic line OK, I get distortion or saturation pops or low audio.Ģ.- ¿Specs for the headset and mic on the Studio Converter? Same thing here, less problems with the headphones in this case as the internal amplifier seems to be more powerful but the XLR mic input needs to be feed right to work as I have almost the same problems that on the Camera Converter, very low audio or very saturated with lot of pops, etc. I love this config with the fiber runs and everything I need included but I wonder why BMD choose the "exotic" intercom headsets connections instead the 4 or 5 pin XLR standard in this business.ġ.- ¿Specs for the headset and mic on the Camera Converter? I found that the ones that runs OK are the Apple iphone earbuds with mic, but those are not well suited for noisy environments so I would like to adapt it to a standard headset but found that the audio you get in the headphones is very low, it seems the amplifier inside the Converter is made to feed a very low impedance headphone and as you raise the impedance you loose power. We use an ATEM 2M/E 4K together with Studio Converter and Camera Converters.
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